PZE26_zelje_Nucci

PZE ’26 Fan Wishes: The highly anticipated debut – Nucci as the new energy of the local scene!

Dear Eurovision fans, welcome to the third edition of the „PZE ’26 Fan Wishes“ segment!

We continue the series with a performer who has become one of the most recognizable names on the local music scene in the last few years. Following Jelena Tomašević and Harem Girls, it is time to focus our attention on a young artist who conquers both domestic and regional audiences with his presence, energy, and modern approach to music—Nucci.

The goal of our segment remains the same—to highlight the artists that the audience would like to see at the next edition of Pesma za Evroviziju (PZE), those who could bring something new and fresh to the stage. And Nucci is precisely that—modern, charismatic, and authentic enough that his musical style, if carefully tailored to the Eurovision audience, could prove to be the right match.

Third Wish: Nucci

Nucci, whose real name is Igor Panić, is not just a singer; he is a music phenomenon and a hit generator. His greatest asset is his ability to accurately hit the pulse of the younger audience and create songs that instantly become viral and commercially successful.

He is currently one of the most popular performers of the younger generation in Serbia, and his songs are indispensable on top charts across the region. He is recognizable for his mix of pop, trap, and Balkan elements that make his music unique. His voice, production, and style create a perfect balance between commercial and authentic—which, with the right team and song, could turn into a successful Eurovision project.

Unlike many of his colleagues, Nucci has never participated in PZE, which makes his potential debut one of the most anticipated events.

Duet Nuccia i Sanje Vučić

On stage, Nucci possesses what is often called the „X Factor“charisma, confidence, and connection with the audience.

His strength lies in his awareness of the importance of visual identity. Nucci often invests in aesthetics, stylized costumes, and high-budget music videos, showing that he understands that in modern music, look is just as important as sound. The Eurovision stage would be an ideal opportunity to showcase what the modern Serbian urban scene looks like in a European context, through a striking performance and a song that combines Balkan rhythm and contemporary production.

His performance at PZE would need to translate that digital and concert energy onto the festival stage, with extremely dynamic choreography and strong visual and lighting production. If Nucci agreed to participate, it would automatically generate huge hype and bring PZE into the focus of a wider, mainstream audience.

Although he has not yet competed in Pesma za Evroviziju, many fans believe that Nucci could be the surprise that would bring a new dimension to Serbia’s representation—musically modern, yet emotionally connected to the local sound.

Nucci’s PZE ’26 debut would mean a strategic investment in an urban, modern sound. He would bring Serbia points from the younger audience across Europe that votes for current trends. His choice would be a clear signal to Europe: Serbia is not just going for emotion, but for the absolute commercial and urban trend.

Nucci – Crno oko

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