OGAE Serbia :: Vaš evrovizijski svet
It is official! The submission window for „Pesma za Evroviziju 2026″ (PZE ’26) officially closed last night at midnight, November 10th, formally commencing the most exciting phase—the selection of the competing entries.
With this, we conclude our highly followed series, „PZE ’26 Public Wishes,“ through which we analyzed the 16 most sought-after and controversial names on the domestic scene over the past few weeks. From experienced Eurovision returnees like Konstrakta and Sanja Vučić, to the public’s eternal wishes Jelena Karleuša and Milica Pavlović, our series sparked a flurry of comments and votes.
Now is the time to publish the final and complete ranking based on your votes, providing the most objective insight into who the fans truly want to see on the PZE stage.
Methodology and complete poll results
To obtain the most realistic measure of support, we did not just count the „Yes“ votes; we applied a weighted analysis. Votes were valued so that „Yes“ carried full weight (1 point), „Maybe“ half (0.5 points), while the „No“ vote carried zero support. The Weighted Support Percentage (WSP) indicates how strong the support for an artist is relative to their total number of votes.
This is the final table with the voting results for all 16 names:
| RANK | Artist | WSP (Weighted Support Percentage) | TOTAL Votes | ENTRY STATUS |
| 1. | Zorja | 84.1% | 173 | Announced |
| 2. | Harem Girls | 76.2% | 254 | Submitted |
| 3. | Konstrakta | 73.0% | 185 | Not Submitted |
| 4. | Sara Jo | 69.7% | 147 | Unknown |
| 5. | Zejna | 69.7% | 152 | Unknown |
| 6. | Sanja Vučić | 66.0% | 212 | Unknown |
| 7. | Milica Pavlović | 63.7% | 164 | Unknown |
| 8. | Tea Tairović | 61.8% | 165 | Announced |
| 9. | Mirna Radulović | 51.9% | 158 | Unknown |
| 10. | Jelena Tomašević | 50.9% | 169 | Not Submitted |
| 11. | Nucci | 48.1% | 157 | Unknown |
| 12. | Filip Mitrović | 37.3% | 114 | Submitted |
| 13. | Saša Kovačević | 36.9% | 130 | Unknown |
| 14. | Jelena Karleuša | 36.6% | 176 | Announced |
| 15. | Maja Nikolić | 36.4% | 166 | Announced |
| 16. | Princ | 14.7% | 232 | Not Submitted |
* Click on the artist’s name to learn everything about their potential for PZE ’26
Analysis of the TOP 3 – authenticity defeats hype and vocal class
The poll results clearly show that the audience trusts artists who offer originality, artistic identity, and a recognizable stage presence. This is why the TOP 3 is dominated by names that bring something that cannot be bought—authenticity, character, and a distinctive signature.
1. Zorja – 84.1% support – the voice of the fans is clear
Zorja is the absolute winner of the series, and not by a small margin—her result is one of the most convincing in the history of PZE fan polls.
A massive 84.1% support, coupled with an extremely low number of „No“ votes, shows a rare consensus among the Eurovision audience. Fans clearly recognize what Zorja has built over the years: an authentic identity, top-tier vocals, a consistent connection with the Eurovision community, and the skill to merge tradition and modernity in a way few others achieve so successfully.
The public doesn’t just want her return—they want her grand, powerful, solo Eurovision era, one where Zorja would shine as one of Serbia’s most serious contenders in the last decade.
Zorja has stated multiple times that she plans to submit an entry for PZE – but has yet to specify if it will be this year or a future season.
Zorja’s performance at PZE 24
2. Harem Girls – 76.2% support – the new energy fans demand
The Harem Girls, a drag group, take second place, having clearly won the audience over with their freshness and original aesthetic. With 76.2% support, it is clear that fans want a new page in the history of Serbian representatives—modern performers who bring bold aesthetics, viral energy, and a contemporary approach to performance.
Their second-place finish at PZE 2025 further solidified their position as one of the most interesting and promising projects in Serbia. Their act has already garnered attention from European fans, giving them a real foundation to represent Serbia one day.
Furthermore, it has been confirmed that they submitted a song for PZE 2026, which clearly boosted fan excitement and anticipation. Their result suggests the audience is ready for risk, innovation, and a completely new kind of drag performance that would have huge potential on the European stage.
Harem Girls’ performance at PZE 25
3. Konstrakta – 73.0% support – art that leaves a mark
In third place, with 73% support, is Konstrakta—an artist whose approach to music is already recognized by the audience as unique and worthy of attention. Her results clearly confirm that viewers are drawn to originality, thoughtfulness, artistic message, and a recognizable aesthetic.
Konstrakta has already left a deep impression on Europe with her unusual, intelligent, and memorable performance, and the public still believes she has much to offer, especially if she decides to re-enter the competition with a clear artistic vision. Konstrakta has previously discussed the idea of her third PZE entry, emphasizing that she already has a concept ready.
However, just two days ago, she announced on her Instagram profile that she did not submit a song for this year, which is surprising given the immense support she continues to enjoy.
Konstrakta’s performance at PZE 24
Long-awaited stars are not at the top
Although they are considered the biggest stars of the current scene, some artists did not make it to the very top of the public’s wish list. The results show that broad popularity is not the decisive factor when it comes to PZE support.
Milica Pavlović took seventh place, with a solid, but not overly convincing, level of support. Although she is one of the most popular singers in the country, a portion of the audience clearly believes that PZE requires a different kind of song and concept than those she currently promotes.
Tea Tairović finished in eighth place, despite dominating charts and concert halls. The high number of „Maybe“ votes indicates that the audience is divided on whether her genre is the right choice for the Eurovision stage.
Saša Kovačević surprised with a modest result. One of the region’s strongest pop vocalists received relatively little support, suggesting that the audience prefers artists who have already shown interest in the competitive format.
Jelena Karleuša, despite her status as one of the most recognizable figures on the Balkan scene, only took 14th place. Her sharp rhetoric, political engagement, and social media messaging clearly affect the perception of some segments of the audience, leading to a high number of negative votes. The result clearly shows that many currently do not see JK as a desired representative for Serbia at Eurovision.
Overall, the results show that name recognition and hits are not enough—the audience clearly rewards artists who have a clear Eurovision vision, experience, and a more direct connection with the PZE audience.
The last three spots – a clear message from the audience
At the very bottom of the table are three names that attracted a lot of attention, but not the kind they were hoping for. The audience sent a very clear message—name recognition alone is insufficient, and expectations are higher than ever.
Princ, who represented Serbia at Eurovision this year, found himself among the last. It is evident that failing to qualify for the final left a negative impression on a segment of the audience, which is now reflected in the perception of his potential return to PZE. Nevertheless, Princ has undeniable qualities—strong vocals, stage energy, and a specific identity. A second chance is always possible, but he needs to find a song that fully unlocks his potential. Princ, however, confirmed he did not submit a song for this year’s edition.
Maja Nikolić, a singer with a long-standing career, is also near the bottom. Although she announced that she would submit a song for PZE ’26, the audience clearly feels that her style and musical approach are not the most ideal for contemporary PZE and Eurovision. This does not mean she lacks an audience, but that her return would require a modernization of sound or a completely new artistic direction.
The third among the last is Filip Mitrović, who confirmed he submitted a song for the PZE ’26 contest. However, his placement shows that the audience did not feel his potential for the Eurovision stage was convincing enough. While talented, it seems the audience expected a stronger concept, a more original sound, or a more robust identity. This result is more of a challenge than a defeat—an opportunity to find the song that will make him stand out from the competition.
Conclusion
The poll results clearly show that the PZE audience values authenticity, stage identity, and prior Eurovision experience above all else. At the top of the list are artists who have already demonstrated they can combine high-quality vocals, memorable performances, and visual spectacle, which the audience recognizes and rewards.
Long-awaited stars with high popularity did not make it to the top, proving that popularity alone is no longer enough. Fans expect a well-conceived song, a clear stage concept, and a performance that can compete on the international stage.
The bottom rankings clearly show that neither name recognition nor past experiences guarantee support if the song, concept, and stage energy are not right. The PZE audience seeks artists who blend quality vocals, a striking performance, and a strong visual identity, and it is this combination that garners the most trust and support.
The ball is now in RTS’s court to announce how many songs were received and for the selection committee, which will choose the participants of PZE ’26.
